Film analysis--The Texas chainsaw massacre

Mise-en-scene:

Dark light, shallow space

Cinematography:

MCU, gray color, shallow focus

Editing:

Cut in, reverse shot, rhythm and montage

Sound:

sound bridge, diegetic sound, good quality

Mise-en-scene:

Dark light, shallow space, frontality

Cinematography:

CU, deep focus, 

Editing:

reverse shot, match on action, rhythm

Sound:

directed sound, good quality

Mise-en-scene:

Dark light, matte shot

Cinematography:

MS, gray color, depth of field, point-of-view shot

Editing:

reverse shot, match on action

Sound:

directed and diegetic sound

Mise-en-scene:

Dark light, shallow space

Cinematography:

MCU, gray color, shallow focus

Editing:

Cut in, reverse shot, rhythm and montage

Sound:

sound bridge, diegetic sound, good quality

Mise-en-scene:

dark light, shallow space

Cinematography:

CU, deep focus, following shot

Editing:

reverse shot and match on action, montage

Sound:

off-screen sound, good quality

Mise-en-scene:

low light, frontality

Cinematography:

MS,deep focus, following shot

Editing:

establishing shot, eyeline match, rhythm and montage

Sound:

Directed sound with off-screen sound

Mise-en-scene:

shallow space on the TV

Cinematography:

CU

Editing:

reverse shot, graphic match montage

Sound:

Directed sound

Mise-en-scene:

Frontality, low light

Cinematography:

MS, canted framing, rate

Editing:

reverse shot, graphic match montage

Sound:

Directed sound

Mise-en-scene:

shallow space on the TV, bloody

Cinematography:

CU

Editing:

reverse shot, graphic match, montage

Sound:

Directed sound

Mise-en-scene:

low light, deep space and frontality, 

Cinematography:

LS, depth of field, following shot, rate

Editing:

match on action

Sound:

Directed sound and music

Mise-en-scene:

low light, frontality, shallow space

Cinematography:

CU one the murder`s face, deep focus, point-of-view and following shot, rate.

Editing:

reverse shot, match on action, montage, cut out.

Sound:

Directed sound and postsynchronous sound